Educate Don’t Regulate Drone Flyers: An Opposing View

http://www.usatoday.com/story/opinion/2015/01/28/drones-academy-of-model-aeronautics-ama-editorials-debates/22497911/

 

White House incident demonstrates that a regulatory approach does not and will not work.

Following this week’s incident at the White House, President Obama and others called for the FAA to put regulations in place for small unmanned aircraft, or “drones.”

If the president is talking about establishing rules to enable commercial use of the technology, we agree these rules are long overdue. But if he or others are suggesting that the recreational community needs to be federally regulated, that’s another story.

OUR VIEW: Drone age takes flight, and FAA’s not ready

The fact is for the past six years, existing regulation has specifically prohibited the flying of unmanned aircraft anywhere near 1600 Pennsylvania Ave. This recent incident clearly demonstrates that a regulatory approach to the recreational use of small unmanned aircraft does not and will not work.

Many well-meaning individuals acquiring this new technology simply don’t know what airspace is restricted or prohibited, whether it’s near the White House, around other federal buildings or even the upcoming Super Bowl. The best way to prevent drone incidents isn’t to regulate recreational users; it’s to educate them.

That’s what the Academy of Model Aeronautics (AMA) has been doing successfully for nearly 80 years. Representing more than 175,000 model aircraft enthusiasts across the country, we constantly provide and update best practices on how to safely operate unmanned aircraft.

More and more people are accessing this fun, educational technology. These newcomers want to fly safely but don’t realize that just because you can easily acquire the technology, it doesn’t mean you can fly it anywhere and for any purpose.

For this reason, we’ve been working with industry groups and the FAA to educate new fliers about the safe and responsible use of unmanned aircraft.

It’s our goal to make common-sense guidelines more accessible to the legions of new fliers taking to the skies, ensuring safety for all aircraft — manned and unmanned.

Campaigns such as “Know Before You Fly” and AMA’s long-standing community-based safety programs are the best, and perhaps the only, ways to effectively manage the recreational community.

Dave Mathewson is the executive director of the Academy of Model Aeronautics (AMA).

The FAA Says You Can’t Post Drone Videos on YouTube

http://motherboard.vice.com/read/the-faa-says-you-cant-post-drone-videos-on-youtube

 

If you fly a drone and post footage on YouTube, you could end up with a letter from the Federal Aviation Administration.

Earlier this week, the agency sent a legal notice to Jayson Hanes, a Tampa-based drone hobbyist who has been posting drone-shot videos online for roughly the last year.

The FAA said that, because there are ads on YouTube, Hanes’s flights constituted a commercial use of the technology subject to stricter regulations and enforcement action from the agency. It said that if he did not stop flying “commercially,” he could be subject to fines or sanctions.

“This office has received a complaint regarding your use of an unmanned aerial vehicle (aka drone) for commercial purposes referencing your video on the website youtube.com as evidence,” the letter reads. “After a review of your website, it does appear that the complaint is valid.”

The hobby use of drones and other model aircraft has never been regulated by the FAA, but the agency has been adamant about making a distinction between hobby and commercial use, which has led to much confusion over the last couple years.

Where, exactly, does commercial use begin and hobby use end, for instance? If you fly for fun, but happen to sell your footage later, were you flying for a “commercial purpose?” What if you give it to a news organization that runs it on a television station that has ads on it? What if you upload it to YouTube and Google happens to put an ad on it? What if you decide to put an ad on it?

The letter makes clear that at least some in the FAA (this one was sent by Michael Singleton, an aviation safety inspector in the FAA’s Tampa office) take a very wide view of what is “commercial.”

“With this letter the FAA is claiming that drone-obtained art created by a hobbyist becomes retroactively ‘commercial’ if it is ever sold, or if, as here, it is displayed on a website that offers monetization in the form of advertising,” Peter Sachs, a Connecticut-based attorney specializing in drone issues told me. “Selling art is unquestionably one’s right, and the government is forbidden from infringing upon that right.”

Hanes told me that his videos are technically “monetized” on YouTube but that he has never received a payment from Google and the revenue he’s technically earned from Google’s ads is less than a dollar.

“I’ve been flying only for fun, as a hobby,” he told me.

FAA spokesperson Les Dorr told me he is looking into specifics of the case, but said that, often, competitors will alert local enforcement offices about drone use. The question then, is can someone really have a “competitor” if they’re not flying commercially?

“In general, whenever we receive a complaint about an unauthorized UAS operation, we contact the operator and educate them about the regulations so they can comply,” Dorr said. “It’s not uncommon for a competitor who is not flying a UAS to alert us to such operations. I don’t know if that was the case here.”

Hanes’s case is without precedent. The FAA ​has sent many cease-and-desist letters to commercial drone operators, but those letters have mainly been in response to registered businesses that advertise drone-for-hire services on their websites. To my knowledge, the agency hasn’t sent letters like this to hobbyists. Hanes’s website redirects to his YouTube page, and he offers no traditional commercial services.

The FAA has said it ​has the ability to fine or otherwise enforce certain restrictions on drones (which have not yet been tested in court). In the past, those fines ​have been as much as $10,000. Those restrictions are supposed to stop pilots from flying over people and from flying above 500 feet. Some of Hanes’s videos show him flying in ways that could potentially run afoul of those restrictions.

Dorr, who was not involved in sending the letter to Hanes, reviewed some of his videos in response to my inquiry. He says it’s possible the letter was sent because of those potential safety violations. It’s worth mentioning that the FAA’s drone enforcement strategy is a bit of a mess. Regional safety offices decide initial enforcement, often without contacting FAA headquarters or ​considering things such as the First Amendment.

“It would behoove the FAA Office of Chief Counsel to make it abundantly clear to all aviation safety inspectors that the First Amendment is alive and well,” Sachs said.

The fact that Hanes received a letter or was contacted by the FAA, then, isn’t nuts. The FAA is well within its rights to at least tell a drone operator to not fly dangerously.

But why, then, is the FAA hiding behind the sham argument that he’s flying “commercially”? And, if the agency decides that putting videos on YouTube is a business use of a drone, what does it mean for the thousands of other people who post drone videos online?

Update: The FAA says it’s now looking further into how its safety inspectors send letters like this.

“The FAA’s goal is to promote voluntary compliance by educating individual UAS operators about how they can operate safely under current regulations and laws,” the agency said. “The FAA’s guidance calls for inspectors to notify someone with a letter and then follow up. The guidance does not include language about advertising. The FAA will look into the matter.”

InterDrone Conference and Exposition

http://www.interdrone.com/

 

https://filmfreeway.com/festival/interdronefilmfestival

The InterDrone Film Festival gives aerial cinematographers a stage where they can show their best footage shot by a UAV. The celebration of finalists and winners will happen Wednesday evening September 9, during a reception at InterDrone, the International Drone Conference and Exposition, held at the Rio in Las Vegas.

The InterDrone Film Festival features both a critic’s and people’s choice awards in 6 categories plus and overall Best in Show.

Categories:

Natural Wonders

Cityscapes and Architecture

Action Sports

Acrobatics/Technical Skill

Storytelling

Reel

Best Overall

Submissions open May 15, 2015 and close Friday, July 10, 2015.

Winners will be announced at InterDrone at the InterDrone Film Festival Reception, September 9, 2015 in the Brasilia ballroom at the RIO Hotel in Las Vegas.

Awards & Prizes

Prizes:

Winners in each category will receive $500

Runner-Up in each category receive $200

People’s Choice (winner only): $500

Best Overall gets $2,000 or equivalent drone

Finalists get free pass to the Film Festival Reception and Expo Hall and a 30%

discount on the All-Access Conference Pass.

Rules & Terms

InterDrone Film Festival Submission Rules:
1. Entries must be submitted by July 10, 2015.
2.Entries must be three minutes or less in length and filmed with a drone.
3.Entrants must submit their films through FilmFreeway. DVDs are not accepted.
4.Entries must identify the category it is being entering in. One category per film. Overall Best Drone Picture will be drawn from category winners. You may enter multiple films in different categories.
5. Each entry should have a title slide identifying the filmmaker, UAV pilot, and drone technology (craft and camera) used.
6. If selected to screen at InterDrone Film Festival 2015, Presenting Filmmakers will be required to submit a DVD viewing copy at that time. This copy will not be returned. InterDrone Film Festival accepts no responsibility for loss or damage of entries during shipment or transmission to or from InterDrone Film Festival.
7. For publications purposes, if your film/video is selected for screening, entrants must be prepared to supply at least three electronic images (publicity stills) either in jpeg or PDF format, 300 dpi, under 2K.
8. Exceptions to the festival regulations must be authorized by one of the Festival Co-Directors.
9. Entry fees. $30 per film/video.
Judging, Critic’s Choice: 8 finalists in each category will be determined by BZ Media and forwarded to judges. Each of the 9 judges will judge two categories. Each category will have three judges. Runners-up and Winners will be chosen in each category and then each judge will rank each category winner in order to determine the Best Overall Drone Film. Finalists will be notified by August 7.

Judging, Critic’s Choice: 8 finalists in each category will be determined by BZ Media and forwarded to judges. Each of the 9 judges will judge two categories. Each category will have three judges. Runners-up and Winners will be chosen in each category and then each judge will rank each category winner in order to determine the Best Overall Drone Film. Finalists will be notified by August 7.

Judging, People’s Choice: The 8 finalists in each category will be selected by BZ
Media and available to InterDrone attendees for viewing beginning August 29.
Runners-up and Winners will be chosen in each category and then each judge will
rank each category winner in order to determine the Best Overall Drone Film.
Voters must be registered to attend InterDrone. Onsite, at the Film Festival party
September 9 attendees will have the chance to view finalists on screens around the
ballroom where if they have not voted yet, then can vote using the InterDrone app.

PLEASE NOTE:
We communicate via email
We will notify you if you are accepted into the festival

TERMS AND CONDITIONS
Rules and regulations InterDrone Film Festival: By submitting your work to the InterDrone Film Festival, you are agreeing to this statement. “In submitting this work, I am claiming that it is my own and that I hold all necessary copyright or have the permission of the appropriate owners of copyright to incorporate portions of their work. Yes, I am the creator and author of the work submitted. In the event that my entry contains the work of other individuals or organizations (including any copyrighted photographs, musical compositions, etc.), I understand that it is my responsibility to obtain any necessary permissions and/or licenses. Yes, I have the necessary rights and/or permissions to use the visual elements in this entry. Yes, I have the necessary rights and/or permissions to use the audio in this entry.”
Finalists are responsible for transportation/shipping costs, insurance charges and any customs fees incurred when shipping to the festival. InterDrone Film Festival is not responsible for submissions that may be damaged or lost in transit. Works submitted for finalist selection will not be returned after the close of the festival. No media/film accepted for programming can be pulled from the festival. InterDrone Film Festival does not check to make sure that you have cleared these materials at any point during the application process, nor will we be held responsible for any inclusion of uncleared materials in your film. It is the sole responsibility of the individuals submitting the film to secure permission from the copyright holder of the material in question, whether it is music, stock footage, or any other elements that could violate an existing copyright. Quite often, rights holders offer reduced rates for festival films, so you should contact them directly to avoid any possible rights infringements. Please note, there is a deliverables deadline. If you do not meet that deadline it is possible we will not be able to screen your film. Deliverables are the responsibility of the person submitting. Submission fee is non refundable.

Permission to use their picture and bio on our website. Permission to have their clip up on our website.